In the world of Indian performing arts, there are two key ideas called Natyadharmi and Lokdharmi, as outlined in the Natya Shastra by the sage Bharata Muni. But before we dive into what makes them different, let’s understand the concept of ‘dharmi’. Back in the days of Bharata, ‘dharm’ didn’t just mean religious rules; it […]
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In the realm of classical Indian performing arts, specifically within the framework of the Natya Shastra, the ancient text on dramatic theory and performance authored by Bharat Muni, two distinct concepts known as “Dharmi” are elucidated: Natyadharmi and Lokdharmi. These terms are deeply rooted in a nuanced understanding of “Dharm,” a word that has undergone
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